Commissioned by the professional choir EXIGENCE and using the famous Maya Angelou text The Caged Bird, here is a concert setting that explores various tonalities and will challenge even the
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This piece is an energetic wild ride through an imaginative and emotionally evocative narrative. The rapid text flies by in a series of metric changes, with images of an apocalyptic world on fire.
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With modern dissonance and free tonality, this entire piece drives toward the last line of the Stacy Gnall poem: "big brother, I am catching up to you." One long, rhythmic race, this selection will be a
This is a rich, intricately written work influenced by both American jazz vocal performance and the contrapuntal writing of Monteverdi, creating what the composer calls a "modern American
Winner of the 2020 Genesis Prize from ACDA, this is a piece about facing the fear to breathe, and the courage to be together once more. With text and music knitted together in a soundscape of layers and
Inspired by the open letter penned by the Future of Life Institute warning against the advancement of AI, this innovative work artfully weaves together a spirit of human optimism with a foreboding sense of
A gorgeous a cappella setting of a Latvian folk song for chorus with soloist, power chimes, and tuned water glasses. The choral text is in English while the soloist sings the Latvian text. With dramatic
In this innovative work, the choir paints the bucolic scene with vocal illustrations: buzzing like bees, singing quasi-overtones, and emulating wind sounds. Otherwise a cappella harmonies are supplemented
Mary Ellen Solt's Rain Down is an example of concrete poetry with its gradually changing repetitive patterns which inspired the form of the music. The piece is constructed with a continuous
This driving piece has a rhythmic energy with jazz harmonies and interlocking rhythms. With lyrics taken from a letter from Albert Einstein to President Roosevelt about the potential dangers of nuclear
This introspective work deals with the often-overlooked history of American concentration camps for Japanese and Japanese-Americans during World War II. The text is adapted from interviews with two women
This exciting a cappella composition fuses musical styles that are influenced by South African, Hindu, and Eastern European traditions, including drones, call-and-response phrases, repeating compound
Robert Bode's poetry is wed to music that evokes a sense of nostalgia and childlike wonder as singers and audiences alike are taken on a journey back in time. A virtuosic piano part, thought-provoking
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